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From Publishers Weekly
On March 20, 1995, followers of the religious cult Aum Shinrikyo unleashed lethal sarin gas into cars of the Tokyo subway system. Many died, many more were injured. This is acclaimed Japanese novelist Murakami's (The Wind-Up Bird Chronicle, etc.) nonfiction account of this episode. It is riveting. What he mostly does here, however, is listen to and record, in separate sections, the words of both victims, people who "just happened to be gassed on the way to work," and attackers. The victims are ordinary people bankers, businessmen, office workers, subway workers who reflect upon what happened to them, how they reacted at the time and how they have lived since. Some continue to suffer great physical disabilities, nearly all still suffer great psychic trauma. There is a Rashomon-like quality to some of the tales, as victims recount the same episodes in slightly different variations. Cumulatively, their tales fascinate, as small details weave together to create a complex narrative. The attackers are of less interest, for what they say is often similar, and most remain, or at least do not regret having been, members of Aum. As with the work of Studs Terkel, which Murakami acknowledges is a model for this present work, the author's voice, outside of a few prefatory comments, is seldom heard. He offers no grand explanation, no existential answer to what happened, and the book is better for it. This is, then, a compelling tale of how capriciously and easily tragedy can destroy the ordinary, and how we try to make sense of it all. (May 1)Forecast: Publication coincides with the release of a new novel by Murakami (Sputnik Sweetheart, Forecasts, Mar. 19), and several national magazines, including Newsweek and GQ, will be featuring this fine writer. This attention should help Murakami's growing literary reputation. Copyright 2001 Cahners Business Information, Inc.
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From Library Journal
The deadly Tokyo subway poison gas attack, perpetrated by members of the Aum Shinrikyo cult on March 20, 1995, was the fulfillment of every urban straphanger's nightmare. Through interviews with several dozen survivors and former members of Aum, novelist Murakami (The Wind-Up Bird Chronicle) presents an utterly compelling work of reportage that lays bare the soul of contemporary Japan in all its contradictions. The sarin attack exposed Tokyo authorities' total lack of preparation to cope with such fiendish urban terrorism. More interesting, however, is the variety of reactions among the survivors, a cross-section of Japanese citizens. Their individual voices remind us of the great diversity within what is too often viewed from afar as a homogeneous society. What binds most of them is their curious lack of anger at Aum. Chilling, too, is the realization that so many Aum members were intelligent, well-educated persons who tried to fill voids in their lives by following Shoko Asahara, a mad guru who promised salvation through total subordination to his will. For all public and academic libraries. Steven I. Levine, Univ. of Montana, Missoula Copyright 2001 Reed Business Information, Inc.
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Product details
Paperback: 366 pages
Publisher: Vintage; 1st Vintage International Ed edition (April 10, 2001)
Language: English
ISBN-10: 0375725806
ISBN-13: 978-0375725807
Product Dimensions:
5.1 x 0.8 x 8 inches
Shipping Weight: 9.6 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
86 customer reviews
Amazon Best Sellers Rank:
#68,516 in Books (See Top 100 in Books)
I read this because I love Murakami. I had never heard of the Tokyo gas attacks, and now am frankly pretty surprised it had never come up in the US.Anyhow, Murakami mostly stays out of his subjects' ways in the first portion of the book. He lets survivors speak for themselves and neither he nor the translator make many intrusions, unless it's to clarify some detail (usually the translator notes are for people like me who don't have any background knowledge about the attacks).It's really interesting to see how people viewed the same situation differently--there are several times when one survivor will describe a person that later tells their own story of the event, and both are pretty different. Despite this being a really cool perspective, it can get a tiny bit repetitive, but it's worth it to stick it out and finish the book.The last section of the book is Murakami's reflections on what the gas attacks meant in the broader context of Japanese society and interviews with ex and current Aum members. During this, he waxes philosophical about his own complex relationship with his home country.As a western fan who has never visited Japan I found this fascinating. It's easy to pick up on themes feeling isolated or like something is wrong in your society (or the way you relate to it) in his other books, but it was very interesting to see him speak directly about these thoughts.He's more intrustive in the Aum section, which I actually appreciate--his anger at the naive beleifs that led to so many deaths is palpable, and most of his interviewees don't shrink back from it.Overall, a really good read if you're interested in Japan, terrorism, cults or just Haruki Murakami.
The novel starts off a bit slow as it focuses on the those personally affected by the crime. It picks up steam as he delves into the cult members. Most are extremely odd and delusional, which is to be expected. Murakami allows them to open up and express their strange and twisted perspectives......which does make for an interesting read. I really enjoyed this nonfiction effort from my new favorite author. Another example where "Truth can be be stranger then fiction"
Quite simply one of the best books I've ever read. I feel haunted by it - by both the stories of the survivors of the Tokyo subway attack, and by the interviews with the Aum members. And Murakami's own thoughts were brilliant and thought-provoking. I would recommend this book to anyone, even if you're not interested in the subject - it was honestly THAT good.
The Nobel Prize in Literature should be in the future for Huraki Murakami; it is past-due. Frankly, I had no particular interest in further exploring the underground sarin attack in Japan until I saw the author's name. I buy and read any book that he has written. Each one brings some new intriguing, creative and challenging plot. Often they are so complex that a second or even a third reading is rewarding - such as Kafka on the Shore and The Wild Sheep Chase. In this book Murakami becomes a journalist who engages the reader immediately in the event he is about to explore. Each interview is but a seed for a full-grown plot and the final section, which is straight narrative from the author is the most interesting of all. He has a brilliant mind which is always seeking the "meaning" of an event even when it is elusive as this one.
Murakami writes damn cool novels. He has earned entirely different respect from me as a damn fine (strikingly pragmatic) cross examiner/interviewerThe text can be broken into three distinct sections.interviews with perpsinterviews with victimsinterviews with non-combat cult members in wake of attacksat several times I was worried that Murakami's rhetoric was leading to "blame the system, not the perp" but this was clearly not the case. He only allotted as much blame as sanely due, given that the Tokyo municipality clearly provided absolutely zero logistic coordination, and people allotted to much blame to the cult rather than structures/bodies like the cult.I am damn glad the attackers were as incompetent in brewing the sarin as they were, my solid sympathies to those effected.
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